![]() ![]() Once she mouthed something, and Rosenberg realized she was saying: “Long day, isn’t it?”įor Rosenberg, it was, in fact, just another long day as a member of one of America’s most rarefied and unusual occupations. She and the British socialite have since become “sketching buddies” of sorts, Rosenberg says. She and another artist, Liz Williams, were sketching Maxwell one day during a pre-trial motion when they noticed that Maxwell, armed with a pen or pencil, was returning the favor. Maybe the Maxwell family just likes to sketch in their free time.” I know her sister sometimes also sketches in court. ![]() “Maybe she was just bored coming out of her jail cell. It was like just, what a finality to the whole thing.“I don’t know, and I’m not going to try to read her mind,” Jane Rosenberg, the artist in question, told me. It was her and then two other big guys,” Williams said, commenting on the contrast between the lithe Maxwell and the burly men. “But then when they walked her out, after the verdict, it wasn’t just walking out with those two marshals who brought her in. Her exits could also leave an impression, including her final one as she strode out of the courtroom after the verdict. Williams said the British socialite made her presence apparent in the way she held herself, arms back, “her swagger, swaying a little bit.” marshals, she always made an entrance like she was walking down a runway, I swear to God.” “Whenever she walked into court, with the two U.S. “So Maxwell is right up my alley,” she said. Williams began her career as a trained fashion illustrator. That day, there were no hugs for the attorneys as she was ushered out. “She put her hand up to kind of her head and her lawyer put his hand on her back,” Williams said. Williams said she did notice Maxwell start to get slightly more agitated as the trial wore on, but her stoicism returned when the verdict was read. All those attorneys got hugs,” Williams said. Maxwell constantly communicated with her lawyers and engaged in daily displays of physical affection with them. The photographs were shown for what seemed like a maximum of seven seconds, “meaning I’m drawing like the wind.”Ī government official sitting in front of Williams even turned around at one point, she said, to commend the way she captured that scene. I had to focus on drawing this thing,” she said. When I saw that, I was so focused on getting it down, I thought, I can’t, I couldn’t focus on her. Williams knew that was her shot, so much so that she had no time to gauge Maxwell’s reaction. ALERT THE PRESSĪ courtroom artist has to stay alert for big moments, even when a witness might not seem like a headliner.Īn FBI analyst’s testimony yielded one of the more bizarre images from the trial, as prosecutors displayed a photograph the analyst had found that appeared to show Maxwell massaging Epstein’s foot with her breasts. And I thought to myself, you know, if she puts her hand up to her face, money shot there, because that’s going to tell you more about her even than her face could,” Williams said. “She had all these rings on her fingers and very manicured nails, and very kind of reddish hair. I mean, you got to be able to draw hands, you have to, especially when you’re drawing a witness where you can’t draw the face, you’ve got to rely on the hands.”Ĭarolyn’s hands were particularly eye-catching. “And I’ve really practiced drawing hands a lot. “But she used her hands in such a way,” Williams said. ![]() Jane wasn’t that animated while testifying about how Epstein grabbed her, Williams said. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |